Clandestine Childhood
Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true event
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Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true event
The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerd
A young boy obsessed with action movies takes his cop father's gun and goes out at night as a "vigilante".
Every year, tens of thousands of children are forced to leave their countries unaccompanied by an adult.
Disorganized internal memories that aim to connect with an intervened childhood. 322 passport photos found in 812 Maipú St.
A study of the education – as well as their intimate lives with family, friends, the street, and play – of two children in very different parts of Brazil.
Arnulfo Silva, a former abandoned child, retells his childhood difficulties living on the streets.
Childhood experience consulted in several children.
Niebla, a teenage gangster, is killed in a shootout and his ghost returns to help Francisco, a ten-year-old boy who is the victim of constant abuse and violent attacks by his father, Basilio, an abusive and violent thief
A Wen, 38, a businessman and family man in Barcelona, is also the filmmaker's brother. Just like in the gangster movies they watched on VHS as kids, he becomes involved with the Chinese mafia in Spain.
As the world begins to end, two children run away from home and meet an adult who betrays them. Later, one of them remembers the future that was possible.
Single mother sends her son to an orphanage because she feels she can't provide for him.
Esteban (18), a shy film student, returns for a few days to his hometown of Cañete. There he will try to film the places that marked his childhood, only to discover that most of them are falling apart, just like his memo
Alexandre, 7 years old, wakes up in a strange house. The village is empty. When he arrives at his mother’s house, the villagers prevent him from entering.
Manoel de Oliveira's autobiographical documentary about returning to his hometown.