Five Films by Phil Solomon
Contents: Nocturne (1980) Remains to be seen (1994) The exquisite hour (1994) The snowman (1995) Psalm II : walking distance
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Contents: Nocturne (1980) Remains to be seen (1994) The exquisite hour (1994) The snowman (1995) Psalm II : walking distance
Coming 2027
Presented as a forbidden TV broadcast, this horror anthology revives unsettling short films from the world.
A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.
An Italian parody of the biggest U.S. blockbusters such as "Gladiator, " "Harry Potter", "Fast and Furious" and "The Da Vinci Code".
Bob Branaman, most known for his painting, has been working with an 8mm camera for years, has produced a dozen films or so, which he rather simply and beautifully refuses to name, all involving multiple super-impositions
"Profound.." -Francis Carti
The film presents eight different stories about love - each seen from a different point of view. Starting with the biological approach, where love is understood as a result of a chemical reaction, through the love that p
This documentary is showing Nazi Germany in color. No 'unreal', distant black-and-white images, but a very realistic and contemporary impression of Adolf Hitler's Germany. The color film camera was a rarity, only a few c
Ben Burtt and his team explain the process of creating the sound for Star Wars: Episode II - Attack of the Clones (2002) in the all-new documentary "Films Are Not Released, They Escape".
Imperfect 3-Image Films | EUA, 1995, 16 mm, pb-cor, 6' ... MOCAtv Presents 'In Focus' - Jonas Mekas - The Artist's Studio by MOCA 9,101 .
A collection of short films by 16 European directors.
16 of Alexander Kluge's one-minute films.
Archive footage, recently discovered, shot by the Edwardian documentary film-makers Sagar Mitchell and James Kenyon. Selected from a total of 28 hours of material, this compilation is grouped into five sections: 'Youth a
Six short 16mm films shot by Adaora "Zora" Lathan during her time as a film student at the University of Illinois.
‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that