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Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This
Documentary feature about Swiss media pioneer François-Henri Lavanchy Clarke - the man who brought film to Switzerland ... film ... and Sunlight soap!
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion
The Soviet rock band Kino's concert at the Olympic Stadium (Olimpiyskiy) in Moscow on May 5th 1990.
Documentary film.
This is a recording of a movie discussion. This discussion, shown live in German television on November 16th 1978, is framed by two screenings of Huillet/Straub's movie »Toute révolution est un coup de dés«. It's first s
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinem
Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR
Dziga Vertov-directed Soviet newsreel. The first themed issue of Kino-Pravda, devoted to the fifth anniversary of the October Revolution in 1922.
Dziga Vertov-directed Soviet newsreel covering: First anniversary of Lenin's death / Smycka of the city and the village: group of peasants visit Moscow / Lenin's effect on peasants and oppressed nations
Twenty-six years after outrunning a suspiciously familiar masked killer, the Core Four are back in the killer's crosshairs and no horror movie IP is safe.
Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction o
“Today you will hear my most honest and truthful story about how I made a movie with Eisenstein and Pudovkin almost 90 years ago, how I shot from a bow in the movie Ivan the Terrible, about how I taught the Red Army to s
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
A familiar-looking group of teenagers find themselves being stalked by a more-than-vaguely recognizable masked killer! As the victims begin to pile up and the laughs pile on, none of your favorite scary movies escape the