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This is one of hundreds of panoramas made in the early days of film, when views of tourist attractions - like the ancient British icon, Stonehenge - became increasingly prolific in various media, as Victorian leisure tim
An upcoming film. Plot TBA.
1907, cinematography by Frank Ormiston-Smith.
This journey down the Avon gorge was filmed from the riverbank, from a boat and from the Portishead railway. Among views of the estuary, the cargo ship Vera and the fine wooden warship Formidable (then a training ship),
A moving image of the docks of Liverpool. Lumière Catalogue No. 704.
Single shot panning across a landscape. Edison films, 1903.
Taken from the front of a descending car, the track and the way in which the fertile valleys open out on either side, with the huge snow-capped mountains in the back ground, and the fine stereoscopic effect of the ever c
This picture was taken from the Court of Fountains. Here we present a view of the Exposition grounds as the visitor would see them while standing at the base of the electric tower and looking south. The camera was put in
View of the casino on the Promenade Pier then of the shore (Promenade des Anglais).
An actuality film of the 1900 Paris Exhibition, shot from a boat travelling down the Seine.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then local Arab residents, then Jewish residents of the city - as a train leaves Jerusalem, then part of the Ottoman Empire.
Panoramic view of Constantinople.
Panorama film shot floating down the Seine.
Lumière Catalogue No. 706. A moving shot taken from the electric train in Liverpool. Its vantage reveals ships and lumberyards.
Shots of the panorama, filmed from the winding railroad tracks that stretch along the coast, from Beaulieu to Monaco, including tunnel passages.
Panorama, Nob Hill and Ruins of Millionaire Residences after the 1906 San Francisco earthquake.