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![PLAVE Asia Tour [DASH: Quantum Leap] Encore in Cinemas](https://image.tmdb.org/t/p/w500/A3GDmqMhEPr94hnLx3Jr95ZLXyn.jpg)
PLAVE, the group that has now become legendary, brings you an intense performance that only they can deliver. The historic moment when the first virtual idol group entered the Gocheok Sky Dome — the overwhelming energy o
Video #4 ″A unique new video focusing on the people behind the camera” Atiba Jefferson, Dan Wolfe, Danny Minnick, Dave Swift, Jon Miner, Josh Stewart, Lee Dupont, Mike Manzoori, Raymond Echevers, RB Umali, Steve Celent
Portrait of French artist Serge Bard (Abdullah Siradj), shot in Paris (France) on January 8, 2002 at 5:50 PM.
Reel 4 of Gérard Courant's on-going Cinematon series.
This piece combines segments from important non-english films in such a way that when these segments are combined together they sound like wĭn'ə-pěg' sĭn'ə-mə-těk' phonetically. One of the intents of this piece is to all
February 10.
Reel 29 of Gérard Courant’s on-going Cinematon series.
Broodthaers’s first film, Clef d’Horloge was made using a borrowed camera and some film stock that he had been given. It was shot at the Palais des Beaux-Arts, Brussels, in 1956, during an exhibition of works by Kurt Sch
more from guy bourdin 1928 -1991
It contains: Aviation Day; the painter Foujita; football in Lima and Callao.
Made by ten directors in Pontevedra, Galicia.
Cinematic Virtual Concert for thai band's latest album.
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terr
September 28.
"This compilation of prints made in 1925 and 1926 highlights the strengths of the process with scenes of sumptuous clothing and fabrics, life-like shots of fruit, advertising setups, and abstract kaleidoscopic views. Pro
Filmed by Luis Ángel Scaglione. Contains views of the 1929 carnival festivities.
The story of an unsung hero in filmmaking and the racial barriers he faced growing up and into his career, through archival footage of himself and his films, and what made his camerawork so innovative and unique.