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Portuguese choreographer Marco da Silva Ferreira explores the relationship between dance and patriarchy in *F*cking Future*, a performance presented at the Lyon Dance Biennale.
Silent dance in the style of Loïe Fuller
An experimental film by Jenny E. Davidson
This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in passing. The primates of the title (for once, this film has a title, and an in
A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.
In Senegal, traditional dance forms preserved for generations mix with modern dance influences from around the world. The interaction between tradition and globalization, catalyzed by creative young dancers, fuels an int
Two film directors and a writer are in Portugal for an expedition through various images, moments from the history of Western allegorical representation. The writer is Jean-Louis Schefer, and this tale encapsulates his l
Student film using film noir codes.
Paris Opera Ballet Master and choreographer Patrice Bart plunges into the Opera's past and brings Degas' famous statuette to life. From the rehearsal rooms to the Cabaret du Chat Noir, the ballet conjures up a colourful
A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pionee
About two key pioneers of Swedish dance in the 1900s: Birgit Åkesson and Birgit Cullberg. Both were born in 1908 and became choreographers who made a big impression in the international dance history. Birgit Åkesson, in
Filmed during the first ever Guldbaggen (golden scarab) awards, it was edited and developed that night and shown for the first time to the guests at the after party.