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In some way, to all of those who took me along at doors and windows opennings wich I never jumped of.
Macario 'Mac' Gómez talks about his long career as a film poster designer.
An Italian movie.
In 1986, three city blocks in downtown Winnipeg were demolished to make way for a shopping centre/utopian community space called Portage Place.
An adaptation of the short story of the same title by Walter Van Tilburg Clark, in which four men who have survived a catastrophic war share memories of their past lives and a civilization which no longer exists. Here, a
A girl is completely addicted to her smartphone. She spends her time texting... But a mysterious correspondent declares his love by message and plays hide and seek with her, gradually destroying her psyche
Professor Barring is awarded the Nobel Prize in physics. According to Barring the scientist's sole duty is to seek the truth, even if this leads to the "gates of hell".
Like much of Sabrina Ratté’s video work, this collection for Undervolt & Co. explores the visual and sonic relationship between modular synthesis and simulated space. In all three pieces – Littoral Zones, Landfall, and H
Portal is a short film that experiments with both the 3D environment it inhabits and the digital subconsciousness it suggests. The Portal is intended as an abstract gateway to the mind, body and soul elements of existenc
New Yorkers Emma and Conrad agree to help each other find their missed connections after a subway blackout. Their search might lead to love, but not where either of them expects to find it.
In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumors turned to legend, and while few will admit to believing the stories
Sam Clayton has a good heart and likes to help out people in need. In fact, he likes to help them out so much that he often finds himself broke and unable to help his own family buy the things they need--like a house.
Faces, bodies and actions are juxtaposed endlessly. Fragmented pieces of the woman come together and form the volume of what has been her image in the history of cinema; one marked by the domination and exploitation of h