Aida
AIDA, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radamès, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Rad
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Ermione
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greek
Evil Dead Rise
A reunion between two estranged sisters gets cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.
The Royal Ballet: Cinderella
Royal Ballet Founder Choreographer Frederick Ashton’s Cinderella celebrates its 75th anniversary this Season. The ballet’s opening night in 1948, featuring Moira Shearer and Michael Somes in the lead roles, was received
Who the Fuck Are You
Psychedelic punk drama about one city, one man and his madness.
Oleum
In a bold reimagining of Opera for the screen, 'Oleum' follows a wounded mechanic’s journey to hear the plaintive song of a local waitress one last time.
La Traviata
"This is Vienna State Opera live at home". March 2015.
Les Indes Galantes
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in
Il Labirinto di Creta
The Orchestra and Chorus of the Petruzzelli Theater in Bari perform “The Labyrinth of Crete,” an opera for children written and directed by Nicola Piovani. Two clowns, Don Cosimo and Papèla, tell the story—loosely based
The ROH Live: Rigoletto
Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking ef
Il Prigioniero (2025)
Opera in one prologue and one act. Music and libretto by Luigi Dallapiccola. Mattia Olivieri in the title role, Ángeles Blancas Gulín as La Madre. Orchestra and Chorus of the Teatro dell'Opera di Roma conducted by Michel
La Bohème - Puccini
In the cold of winter, an exuberant poet lives in poverty with his three bohemian flatmates. His heart is warmed when he falls in love with his fragile neighbour, but then her illness takes a turn for the worse. In this
Tosca
In a mythical yet real Rome, from the shadows of the church of Sant’ Andrea della Valle to the terrace of Castello Sant’ Angelo, passions collide and tear all apart, mingling the erotic with the sacred, love with possess
La Forza del Destino - The Met
With James Levine at the helm, Verdi’s multi-faceted masterpiece is revealed as a drama of almost Shakespearean proportions. Superstar Plácido Domingo takes on he demanding role of Don Alvaro, the outcast whose noble ges
La Bohème
Final performance of the 1974 John Copley production. Live from ROH June 10 2015.
Don Giovanni
Live performance from Salzburger Festspiele in 1987. Herbert von Karajan conducting the Wiener Philharmoniker and Wiener Staatsopernchor. Stage director Michael Hampe. Starring Samuel Ramey and Anna Tomowa-Sintow.
The Enchanted Island, a Baroque pastiche
A contemporary take on the 17th-century genre of the pastiche, this delightful Baroque fantasy brings together some of the greatest arias and ensembles by Handel, Vivaldi, Rameau, Purcell, and other composers with a new
Eduardo e Cristina
‘Eduardo e Cristina’ is a two-act musical drama by Gioachino Rossini, conducted by Jader Bignamini. Direction, set design, costumes, lighting and choreography by Stefano Poda. The Ventidio Basso Theatre Choir, choirmaste
I Puritani
It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singi
Le Nozze di Figaro
The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one