Por los camareros

Él (He) and Ella (She) can no longer be together and have decided to separate by mutual agreement. They only have to divide the belongings they have shared over the years...

Camazotz

Chamber of Mirrors

A group of men is selected in Recife to enter a hermetic room, where the director, a woman, watches and films them. A TV set takes part in the conversation, and, meticulously controlled backstage, interrupts them abruptl

Luz, cámara, acción

Short film about the making of "El candidato".

Mi padre, la cámara y yo

Comrades

22 year-old- Yan is trying hard to find his way in life: a job he likes, an ideal. In Saint-Nazaire, his home town, he vegetates, just like his father, an unambitious worker. His fiancée, Juliette, has middle class value

Nuestras camas siguen en llamas

Part essay, part performance, and part documentary, the film is based on the director’s exploration of a recurring image of burning beds in the Latin American LGBTIQ imaginary, and the emotions these images evoke in thei

Em Câmara Lenta

Salvador knew Contança and Santiago. He did not know, but admired, Laurence. Among them, Laurence knew Santiago. Constance did not know Laurence. Only Santiago knew Laurence, Constança and Salvador.

Chameleon Horn

The Washer Beauty

The story of a young woman who makes a living by singing in the streets and a young millionaire.

Maid

A woman applies for a job as a maid, while a difficult situation with her family haunts her.

Making Of Simon

The exclusive hour-long "Making Of" the Simón movie, where you can see behind-the-scenes footage and hear interviews with the cast and crew and never-before-seen scenes that didn't make it in the movie

Chameleon

Roberto is facing some challenges to find a job and to relate with others. Just like chameleons, he adapts to what is needed for survival. However, no one can sustain a lie forever.

Cámara

A camera speaks.

Detrás de Cámaras

A young actress wakes up after a night of partying with no memory of what happened. Her best friend has disappeared, but everyone tells her otherwise. As she tries to find an explanation, she begins to feel watched where

Seu Camargo

Chuqui-Cámac

Institutional documentary about the exploitation of Chuquicamata mineral that, as is usual in Balmaceda's work, highlights the social role of this industry and the context - human and physical - in which it operates.

Camera Obscura

A movie projectionist reconstructs his memory through movies.

Tres valientes camaradas

O Rancho da Goiabada, ou Pois é Meu Camarada Fácil, Fácil Não é a Vida

In transit between urban and rural areas, between “underemployment” and informality in the capital of São Paulo, and “boias-frias” in sugarcane plantations in the interior of the state, the film encounters different laye