Born In The U.S.A. Reel
2 hrs worth of TV and Live Material About and Around Bruce Springsteen's album Born In The U.S.A.
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2 hrs worth of TV and Live Material About and Around Bruce Springsteen's album Born In The U.S.A.
The Joan Crawford crime thriller, The Damned Don't Cry (1950), is the topic of discussion for various interviewees.
Through the passage of time, there was one format that could rival the sound quality of any other, the analog reel-to-reel tape recorder, and this is her story.
Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertain
Reel Big Fish - Our Live Album is Better Than Your Live Album
Broadcaster Joe Garagiola narrates the greatest games of baseball's golden era in this nostalgia-packed documentary. Its unique focus is legendary ball games the way most of America witnessed them . . . in the movie news
Gab, Hya, direk Thop, and the cast of Chasing in the Wild look back and give exclusive stories on the past season of the University Series.
The second reel of an orphaned 1925 nature documentary, the footage follows the movement and calving of glaciers. Viewed from the present, the film is transformed into a document of loss and vulnerability, a challenge t
Reel 5: Mourning (23 to 30 January 1982) follows in the wake of the death of Richard Robertson, the filmmaker’s father. [It] covers … seven days of the family going through their father’s papers, taking walks in the snow
A poetic diary film about godfather of NY avant-garde cinema Jonas Mekas and after he passed away, NYC, Jersey City and his home country Lithuania.
The Kodachrome Dailies consist of all the Kodachrome footage chosen to be worked with to make the film Song and Solitude during years 2005 and 2006. During that period I still had the great privilege to be shooting Kodac
A home movie featuring footage taken in Oklahoma during the middle and late 1920s by Solomon Sir Jones. It is the second in a collection of nine films and consists of a single reel of silent 16mm black-and-white acetate