The Children
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An orphan boy escapes from a reformatory.
Documentary tracing the progress of five Romanian orphans adopted by Britsh families.
Colonial Life for Children: The Dutch and New Amtserdam
A startling portrait of everyday life in a war zone, through the eyes of children.
The story of four children from families who survived war-torn Aleppo and try to start a new life in Germany.
Upon reuniting with his old wooden toy car, a teenager revisits childhood memories and confronts feelings that had remained dormant.
Produced in the early 1960s, this documentary explores the consequences of large-scale state childcare in Czechoslovakia, where extensive crèche systems supported policies encouraging full female employment. Directed by
Documentary about the rock and roll scene of Vrnjačka Banja, a small tourist town in Serbia.
A high schooler is stalked by The Children of the Acorn, and must escape a shifting labyrinth of shadows before his sanity is harvested and the lines between his world and The Acorn blur.
Children Do Not Play War is a cinematic VR tale of the war in Uganda told through the eyes of a young girl.
Features the daughter and grandchildren of the late President Johnson who demonstrate infant safety in the home.
A documentary composed of four stories exploring what it means to be a child during war. In this environment war becomes part of everyday life, and childhood becomes fragile and vulnerable.
Although Dale and Ken Bullock should be a happily married couple, their marriage is on the verge of a break-up, because Dale refuses to give up her well-paying job in order to devote more time to Ken and their two childr
“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2
A documentary about the traditions of Dartmoor - which include broom dancing and a mummer's play - all performed by children
Over-the-hill skaters married with children shredding the gnar.
Nadija, a twenty-year old hairdresser, meets Njegos, a member of the car-stealing ring, is visiting her aunt Spasa, a bar owner. This short encounter prompts Nadija to think about her family situation, leaving her a desi
Tom Tamar Pauer's family is both Israeli and German, Jewish and Christian. When she moves to Israel with her German children after 16 years in Munich, the question of her own identity in the third generation emerges.