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The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his wo
Cinema was born as a double of the theater. Throughout history, these two artistic languages have connected in expression and distanced in experience. In three acts interspersed with fragments of Brazilian films and in
Soviet propaganda cartoon from World War 2. Adolf Hitler, introduced by Charlie Chaplin's the Tramp, is ridiculed in three short skits.
For Recycling Cinema, Pau trained a camera on traffic moving along a Hong Kong expressway. The footage plays at changeable speeds and in various directions, as the camera’s lens tracks specific vehicles. The entire proje
Tony Rayns presents the work of the 'Fifth Generation' and other innovative filmmakers who emerged during the 1980s in China.
Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made,
Commissioned by Chuck Workman and excerpted in his What is Cinema (2014). Never screened in public.
Omer and Sihad plan to shoot a movie on a man with his cat. Suddenly, Omer gets into trouble and dissapears, leaving Sihad all alone with the movie and the obstacles of finalizing their project by himself.
By using simple pictographs, François Mercier (a regular at DJ XL5?s Zappin? parties) evokes, with both humour and intelligence, a series of cinema classics entrenched in popular culture.
"Sinister Cinema" was a reunion special featuring Victor Ives and assisted by Jimmy Hollister as "Ravenscroft" presenting horror movies on KATU-TV Channel 2 Portland, Oregon. Features a guest appearance by Portland‘s fam
The attitudes of different people to the fact of going to the movies.
Documentary about Waldemar Iglésias, a man living in Sorocaba, Brazil, who has been to the movies on a daily basis for 58 years. He talks about his childhood, his dreams, his favorite actors and actresses and the classic
“Volumetric Cinema” demonstrates the possibilities for “looking at film sideways,” taking the film scene as an object not just of two spatial dimensions rushing past in time, but as a spatiotemporal cube that can be mani
Stevo survives an assassination and a year later inaugurates a cinema called "Love", an idea and life dream of his brother-in-law.
Budget Horror Films
Reminiscing an 80s childhood spent pirating Bollywood VHS’s in Wolverhampton, Dawinder Bansal’s plucky narration speaks lovingly of her Asian community and the films that united them.