Nam June Paik: The Good Conscience of the Avant Garde
The film about Nam June Paik, the pioneer of video art, provides insight into his multifaceted artistic work and at the same time paints a biographical portrait of the Korean artist.
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The film about Nam June Paik, the pioneer of video art, provides insight into his multifaceted artistic work and at the same time paints a biographical portrait of the Korean artist.
Engines of the future. The true creators of the revolution. Revolutions of the spirit. The stars of the Russian avant-garde of the early 20th century managed to make a real world revolution. Their works, their ideas stil
Independent cinema from Bruce Baillie to Andy Warhol, artists who worked outside the mainstream and redefined American film are collected in this set. An array of films never before released on VHS or DVD with styles ran
"Cine-Sonnet. The film-maker's impressions of Charlotte Moorman's 9th Avant-Garde Festival of the Arts aboard the old steamboat, 'Alexander Hamilton,' docked at the South Street Seaport
"I had a camera with which I could make multiple superimpositions spontaneously. It had been lent to me for a week. I was also given a couple of rolls of color film which had been through an intensive fire. The chance th
Recorded live at the König Pilsner Arena Oberhausen, 2007
In 1989, a group of avant-garde artists who had collaborated in private for years received permission to organize their own exhibition at the National Art Museum of China. However, one of the terms was to exclude perform
With participation of John Cage, Earle Brown, David Tudor, Gordon Mumma, David Behrman, Max Neuhaus, Morton Subotnik, Phil Corner, Joe Jones, Alvin Lucier, Steve Reich, Philip Glass, Ben Patterson, Wolf Rosenberg In 197
A documentary made in collaboration with students at Konan University, retracing the history of EXPO '70 and attempting to track down the actress who performed in Toshio Matsumoto's installation in the Textiles Pavilion,
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. Programming diverse films at the Coronet Theatre in Los Angeles, and making the films in his per
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This collection continues Kino's tribute to the Rohauer Collection, including the early works of
Walking through a dark cave. I met a man. He handed me a gun and said, "You can have this. You can shoot me and run away, but if you really want to escape you have to shoot yourself."
This film is a supertemporal oeuvre. The support of the audience's participations is constitued by an image, which has varied several times during the course of many a projection. A projection by Maurice Lemaître, himsel
Commencing in 1920 with Charles Sheeler and Paul Strand's creative collaboration on Manhatta, successive generations of experimental filmmakers and artists have worked in collaboration or alone to create a cinema capable
At the end of the nineteen twenties, two future film-makers discover their medium. Charles Dekeukeleire and Henri Storck will become famous documentary film-makers, but their debuts consist of experiments and the search
Timothy Leary at the Village Theatre, Kusama at the Cooper Square Playhouse, Hermann Nitsch “Orgy-Mystery” at the Filmmakers’ Cinematheque; Living Theatre’s “Paradise Now” at BAM; 7th Annual New York Avant Garde Festival
The Making of an Avant-Garde presents the creation and existence of the IAUS in the architectural, cultural, and political climate of the time, from the anti-War riots, the Women's Movement to the Paris May '68 revolutio