Nara and Her Camera
In Holcá, Yucatán, eight-year-old Nara roams her hometown with a camera in hand. Alternating between her vivid, spontaneous footage and the director’s attentive gaze, Nara y su cámara paints a portrait of Nara and her vi
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In Holcá, Yucatán, eight-year-old Nara roams her hometown with a camera in hand. Alternating between her vivid, spontaneous footage and the director’s attentive gaze, Nara y su cámara paints a portrait of Nara and her vi
A man is tortured by two other men. At least distraction, the tortured man escapes and the lights go up. It's a movie set. Fiction or reality? A movie within a movie.
At the end of the 19th century, a girl whom everyone considers ugly, becomes, over time, an insignificant woman, ignored by all. Yet she observes the world around her with a strange eagerness and finds signs of beauty ev
A group of men is selected in Recife to enter a hermetic room, where the director, a woman, watches and films them. A TV set takes part in the conversation, and, meticulously controlled backstage, interrupts them abruptl
Salvador knew Contança and Santiago. He did not know, but admired, Laurence. Among them, Laurence knew Santiago. Constance did not know Laurence. Only Santiago knew Laurence, Constança and Salvador.
The Portuguese choreographer Catarina Câmara believes she can help the rehabilitation process of the inmates by giving them contemporary dance lessons.
Rafa Caicedo is known in Quibdó as "the young man with the camera". This Chocoano directs and produces a successful web novel with more than 70 chapters, which portrays in its fictional stories and rhythm a little of the
Searches about how we've gotten historical imagine. In the school children are describe us the pictures of their history books, the ones from Casasola's picture files. Offering us a testimony about the educational proces
There's something in the camera dude
Short film about the making of "El candidato".
A short film that portrays the lives of two students from the Abidin Kaid Saleh Film School, located in the Sahrawi refugee camps
We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eat
A diary/essay, a journey dreamt up by places I've been and people who inhabit me, judgments fired in various directions.
Two young women have their new video camera stolen by a petty thief, but the brother of one of the women will seek revenge.