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A being without a face goes through infinite stairsteps.
Life as a labyrinth. An elevator ride were lives, sounds and memories cross... The path is more important than the destination.
A woman is followed as she walks through a building and up sets of stairs.
Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.
Initially, there's that moment of happiness: an African-American celebrating in Harlem cheers "We're free!" as if Barack Obama's victory meant the ultimate end of slavery. AMERICAN PASSAGES is an associative journey thro
A couple of fisher-folk are joined by a young new apprentice in the middle of a raging storm.
In the early 1800s, Prussian geographer Alexander Von Humboldt and French botanist Aimé Bonpland launch an expedition to explore the Amazon region, including the Orinoco River, from Venezuela to the border of Portuguese
In a small retirement home from the north of France, fourteen Alzheimer patients keep wandering, hours after hours, in search of a forgotten destination. But here, more than anywhere else, their wish for departure is wit
Based on two one-act plays by Gogol - "The Morning of a Business Man" and "The Claim".
Story of Brazilian bank-robber Lúcio Flávio, who fascinated some people in Rio de Janeiro during the 1970s for his bold robberies and spectacular escapes, and also because he was thought to be intelligent and "politicall
H.R. Giger became known all over the world as the designer of the aliens in Ridley Scott's feature film ALIEN. In this documentary about H.R. Giger's work, which was made many years before, the artist's creative process
EstrAtti (Passages) is a docufilm that alternates five excerpts from poems, songs, and adapted texts by the following authors: Gianni Rodari (The Sky Belongs to Everyone), Omar Khayyam (the Persian poet who composed a se
an in-camera edit play between fragments of Ann Quin's novel Passages and the home as a space of reclusion.