A Day with DPOS: NAVIDARK
Between beaches, rehearsals, and backstage moments, DPOS turns an ordinary day into a portrait of a band making its way in the Peruvian music scene.
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Un día en la UN
Día de la Madre
El pan nuestro de cada día
Documentary filmed and edited by Pedro Valdivieso. Produced by Franklin Urteaga.
Bom Dia Sem Companhia
Vini and Lara are two former child presenters who are invited to revive their old program in a special that will be recorded live 10 years after the end of the show. Between good and bad memories, joys and frustrations,
15 Years and One Day
Jon is a troubled teenager who has been expelled from school. His mother decides to teach him a lesson by sending him away with his grandfather Max, a retired military man who lives in a village by the seaside. But the t
El día es largo y oscuro
A Mexican movie director travels the world as a vampire, getting blood from wherever he can at local film festivals.
Father's Day
A journey between five towns whose former prosperity has waned; a surprise journey into a family history.
Sétimo Dia
After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.
El Día de mi Suerte
The daily life of the popular sectors in Lima in the seventies.
O Homem do Dia
Tó and Pedro are cyclists from rival clubs, sponsored by small, highly competitive local companies: Famel (bicycles) and Caves (wines). Their competition extends to girls. Clara, the school teacher, ends up by marrying T
The end of the day
Neftalí works in a construction, waking up very early to go to the job. During the day, he works arduously, but there's something that makes him uneasy and distracted. Upon finishing his daily routine, Neftalí travels a
A Day on the Ramp
Um Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
Un día normal en Michitopia
Um Dia . . . Maria
Hasta el último día
Alegoría, día 1
Ten participants are about to start a race in which the most important thing is not to win, but to finish, in the race of their lives.
Un día por Málaga
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
Cada dia historia
día de trabajo de un poeta
a poet's day of work