Very Sincerely Yours,
Through parallel narratives, a Black activist from the height of the Civil Rights Movement in Seattle and one from the 2020 uprisings embark on journeys of self-discovery and their relationship to activism. As they navig
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Through parallel narratives, a Black activist from the height of the Civil Rights Movement in Seattle and one from the 2020 uprisings embark on journeys of self-discovery and their relationship to activism. As they navig
After four years in a U.S. migrant detention center, a former inmate reveals the systematic oppression he endured, where working for a dollar a day was the norm and resistance was met with violence.
India is a vast land of seasonal extremes. Monsoon rains flood the land and make it green but once they are gone, heat and drought builds. It is a challenge for the animals but it also fosters an amazing variety of lands
Composed by John Cage in 1953, and played by Anton Lukoszevieze, there are several versions of this film, each lasting a minute. Despite being played from the same score, the films can appear to sound different - dependi
It hisses, it blinks. A virtual, two-dimensional anaglyph flickers in red and green, unfolding a visual space true to the Brehmian aesthetic. Concentratedly condensed collisions occur between everyday life and the world,
German splatter movie
The thrilling reality of an autistic and blind boy who accepts life with a smile.
A niece's visit to her aunt and uncle's house reveals that the couple experienced strange events, which occurred after watching an old horror movie, leading the couple to ask a priest to visit their compound, although th
Michelle Mattiuzi's ritual walk to the statue of slavery resistant leader Zumbi dos Palmares, downtown Rio de Janeiro.
Land scarcity, housing shortages and climate change are forcing urban planners in Flanders to rethink the freestanding house with its garden as the predominant suburban housing typology. How can existing suburban neighbo
An experimental found footage film which attempts to recreate the memories of one Vernon Hamilton.
Three women of different age groups share their fears with each other and the world.
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they