La Pelouse - Voitures et foules
Carriages and crowds cross a grassy area.
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Carriages and crowds cross a grassy area.
In a small town, a police officer goes to the house of a teacher friend to question him about the sudden disappearance of one of his students, who had been responsible for a car accident that claimed the lives of a famil
Carla goes to a party that she won't leave without having to spend days thinking about what she's done. And rather than thinking about what he has done, thinks about what he could do now.
Andy Panda is swabbing the deck of his ship when he comes across a stubborn pelican who refuses to move. When Andy finally does rid himself of the pesky bird, it turns out that particular pelican was an expecting mother
When Pip and Pelle accidentally come across a magical heart, it turns out to have been stolen from the underground land of Molonia. Since its theft, the heart has literally vanished from the land. Everyone who lives ther
"Vista Minha Pele" is an amusing parody of Brazilian reality. It serves as basic material for discussing racism and prejudice in the classroom. In this inverted story, blacks are the ruling class and whites were enslaved
The rise to stardom of Lola Flores, one of Spain's most prestigious Flamenco singers and dancers, who died in 1995.
The mouse drove, the cart squeaked' led the sleeping squirrel Migu migu alone', until both two fell asleep.
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as
An unlikely adventure. Search the gaucho countryside for characters that official history ended up making unfeasible: black bandoneons, responsible for the introduction of the instrument in the state and for the conserva
As the EDSA Revolution unfolds, a mother, son, and daughter who live in a slum near Malacañang Palace grapple with the murder of their patriarch in the hands of corrupt policemen, turning from passive victims of social i
The struggle of Indonesia's young students to develop their villages and unlock their full potential living in a village yet earning urban level incomes and creating work that gains global recognition.
Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. O