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A black-and-white travel journal, in which the themes of memories and their relationship to the past suddenly catch up and rush away from us. The film is based on a series of portraits of American artists, all of whom be
A German officer visits his Danish mistress after the occupation of Denmark has ended.
"The problem is the filming of unstylized reality in such a way that the result does have a style." Part of the tradition of radical cinema the energetic collage of "Sales images" is organized sonic and visual chaos that
A group of filmmakers in the San Fernando Valley is stalked by a killer obsessed with one of them---Nyla Blake, a media-violence expert.
An immersive cinematic experience. A film about the borders we build and the borders we cross.
A documentary about the Icelandic sculptor, Helgi Gíslason. The film shows Gíslason at work as he casts his sculptures in bronze using age old techniques.
An experimental short about a dog and his home.
F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The trave
A Vegas showgirl wanders into the desert while performing her routine. Shot entirely alone in the desert, the film exposes complicity in spectatorship, presenting the hazards of both self-consciousness and self-liberati
Years after the suicide of my bipolar grandmother, I discover her autobiographical account in which she recounts her experience of mental illness, her sentimental disillusions and her deep loneliness. In search of the tr
A video piece by Ed Emshwiller
When Freya unwittingly hosts a group of radical activists on the eve of a stunt she begins to suspect they have designs on her vulnerable younger sister.
New historical documentary on the largely unknown period of South African B-movies, and the later cinematic identity of the nation that was established under the apartheid regime.
“Here are some Images” is an short film exploring the interplay between internal and external images, using hand-processed 16mm footage and musings on perception and memory.
AJ leaves her ranch and starts living the life she wants to live, trying new things and figuring out who she wants to be.
Milton Rogovin is an 82-year-old photographer in Buffalo, New York, who began taking photographs in the ‘50s. In this programme, Rogovin discusses his work, whilst the subjects of his photographs talk about their lives a