La Maison de campagne
What to do, and what not to do, when one is building or renovating a house.
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What to do, and what not to do, when one is building or renovating a house.
Ernest is a former infantryman dazed by his experience in the trenches. One day, he hears cannon fire and believes the nightmare has returned. He decides to fight the invader and pulls out his old gear. Ernest may have r
For you too, when you were little, the last days of summer had a half-bitter, half-sweet taste? The sun is beating down and at the same time the stress of going back to school is starting to rumble? It's the last week of
Madam Berre, the widow of an African traveler, has a lion and two lionesses in her conservatory. Fred, a servant who abuses her beasts, is sent away by her. Under the pretense of haven forgotten his hat, he comes back wh
Julien, a renowned geologist, lives with his wife Isabelle and their two children in a country house. But his sullen, uncompromising attitude leaves tensions high. The arrival of Carl-Stephane, a young German student, br
Malcom, a young student, is temporarily housed in the "Judge's House". The latter, according to the inhabitants of the village, is haunted by the spirit of one of its occupants, the former executioner. But is this story
The film follows men from all walks of life, seeking to give meaning to their lives and rediscover their inner peace during a retreat in the “House of Silence”. For three days, they meditate on their lives.
A reclusive man living in the forest meets a stranger in a way that is as natural as it is improbable and takes the risk of coming back to life.
While Purdey works as a cleaner in a hotel complex, Makenzy earns some money by robbing tourists. Left to their own devices, they must learn to support each other.
Patrick Straumann's commentary "La Maison Fassbinder" is a scientific text and strongly based on French film semiotics as initiated by Christian Metz and thus indebted to structuralism in the tradition of De Saussure unt
Through a first-person narrator, archival footage and photographs, and a contemporary camera, Pavel Lounguine uses the Moscow skyscraper where he grew up as a touchstone for looking back to Stalin and then examining toda
Vincent, seventeen, spends his summer holidays alone. To earn a little money, he helps his dad, a locksmith. One day, Vincent breaks into an empty house to steal.
A trio of prankish boarders wreak havoc on their landlady and an intervening policeman.
Shot like a western without a gun, at a drunkard’s distance, the film takes place in New Mexico among an ancient Spanish community eaten to rack and ruin by rust, beer, and dust storms.