Luce nell'ombra
After a botched heist leaves his best friend dead, Alessandro, a low-level Camorra enforcer, is handed a brutal loyalty test: execute a rival mob boss to secure new turf. Torn between grief and survival as the clan pushe
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After a botched heist leaves his best friend dead, Alessandro, a low-level Camorra enforcer, is handed a brutal loyalty test: execute a rival mob boss to secure new turf. Torn between grief and survival as the clan pushe
Electronic music, with tribal rhythms, accompanies the images with overlapping colors. A finger engraves oil colors on a board, creating geometric grooves. Close-ups by the painter Sandro Uboldi, alternating with plays o
An experimental film about light and electricity. The film opens with a title card reading "Light and Electricity," followed by a fast-paced montage of various sources of light and electricity.
A portrait of Luce Vigo, film critic, educator, and the daughter of pivotal French filmmaker Jean Vigo. Commissioned by the Spanish documentary festival, Punto de Vista, the film incorporates Luce's memories of her extra
The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic R
Returning from a dinner party with friends, a young couple finds themselves locked outside their house, and have to deal with the remains of their relationship.
The story of the life of one of the greatest exponents of Futurism, protagonist of the avant-garde art scene in Rome before, during and after Fascism.
This work delves deeply into experiments similar to the filmmaker's parallel work in color photography. In this film, Janis Lipzin blends her enduring interest in nature's volatile events with her sympathy with film's un
Light & photo-chemistry collide and conspire against 12 different architectural backdrops suspending and dissolving celluloid matter into a luminosity reminiscent of Mark Rothko’s radiant field paintings. De Luce 2: Arch
The return of juvenilia! Shots of Rome circa 1973 on splendid Ferraniacolor reversal stock, developed years later and then lost, that somehow survived the decades. Half a century and some digital editing later, this foot
The cycle of appearance: a necessary look inside things. Shadows carve forms from total overexposure. The unstable recollection of certain life moments—bathed in the scent of light.
Started as a filmdiary, “Ogni cosa nella luce si ritrae” is an attempt at assembling all the footage shot over the course of thirteen months through a logic capable of showing both its intimacy and distance. A hendiadys