The Cemetery of Cinema
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
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Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
Balada Bala Sinema is a story about the journey of FFP (Purbalingga Film Festival) crews in their hardship of managing the festival for more than 10 years. In 2016, Yuda Kurniawan decided to record the journey of FFP cre
An unflinching look at the ongoing debate on violence in movies and its effect on the audience.
A young, idealistic director is in for a rude awakening after arriving in Los Angeles to pitch their first film, but when an actor hijacks their trip, they’re taken on a wild, all-in-one-night journey through the insane
A brief meeting with the writer and playwright Roland Topor in his studio.
Duggee, the large friendly dog, leads his after-school club members through a range of fun activities in this compilation of episodes from the gentle pre-school children's animated series.
A collection of erotic scenes from Philippine movies.
A collection of short films by 16 European directors.
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and t
A graduating student, part of the Film Making Club, wants to make a film before he leaves, but has no idea what to make. Or how.
A 10-part documentary about 10 Brazilian filmmakers: Caca Diegues, Cao Guimarães, Edgard Navarro, Eduardo Nunes, Eryk Rocha, Luiz Carlos Barreto, Lucia Murat, Ricardo Miranda, Rosemberg Cariry and Walter Goulart.
Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and
Head inside the basement of the Nova Scotia Museum of Natural History, and four nights a week you can catch a movie at Carbon Arc Cinema.
How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy,
A visual and sound re-examination in Super 8 of shots from films made in Curitiba. From early films to contemporary productions, these are reframed shots that show Curitiba in various aspects of its vicissitudes.