I Married a Xavante

I'm Shy

I’m Shy was originally created in response to a callout by Sheffield Doc Fest for micro-short documentaries by autistic or learning disabled filmmakers under the banner of ‘Something I Want You To Know’. It subsequently

Am I Ukrainian Enough?

In a personal documentary, the director confronts an identity crisis triggered by the 2022 full-scale invasion of Ukraine. The director returns to Ukraine to explore her linguistic roots. In her family's village, she spe

I Saw You First

A fourth-grader is looking for her father with the help of a friend.

Light Following Part I

A procedural exploration of a room using a flash to illuminate a space in fragments of light. It forces the viewer to reconstruct the space by connecting the image-events in time.

The Ravages of the Spring Flood in Norrland in 1916

Floods at Storforsen and Gästrikland in the "Northland."

INTERLUDES I, II, III

The trees Breathe & so do I

I Love the Nightlife

A nocturnal anthology of gay male shorts: sleek, sensual stories set in bars, clubs, and back rooms where desire ignites. From flirtation to fierce intimacy, these films trace longing, risk, and connection under neon lig

Eve Clone Wannsee Conference I

The "Wannsee Conference" recalls the Nazi meeting at Lake Wannsee deciding the Jews' fate. This work takes its title from that event to allude to powerful figures across eras who, though expressing different ideas, ultim

Don(i) Juan

World War I Military Chaplains

Military chaplains, men of faith serving in World War I, found themselves facing the gruesome reality of modern warfare. Serving side by side with soldiers in the trenches, chaplains became essential to the spiritual and

Assemble I and II

This set of experimental videos shows the artist’s unique process of laying imagery using re-projection. Projecting and recording are repeated to allow the 2-D video to interact with 3-D space, which causes the colour di

I love being creative

Fischli dissects the ideals that fuel artistic ambitions and irreverently alludes to their contradictions. Content becomes a moving target, and the main event of the production remains unclear. "Welcome back," says the

I Was Born In The Ribera

A born soccer player leaves his town and his family to become a professional footballer. He has stardom, money, and a beautiful model, but realizes he left behind the important values that helped him achieve his success.

23rd Psalm Branch: Part I

In this haunting but lyrical meditation on war, Brakhage intercuts 8-mm footage of Colorado with imagery from WWII newsreels. He responds to the violence and nightmare of war by painting directly on the filmstrip.

I Am a Film

Shot on location in Low Four Studio (Manchester), poet Stephen Watts recites the CODA to Tenement's second publication, Stanley Schtinter's THE LIBERATED FILM CLUB.

I No Longer Remember Your Face

Story about teenage love in sanatorium. Leta, a girl with a heart disease, and Saulius, a new boy in sanatorium, fall in love with each other, but doctors try to forbid young people feelings.

I'll Come Home

An 18 year old George is forced to decide if love is worth risking the draft in the midst of the Second World War. Should he commit to the woman he loves or preserve his safety?

The Town I Live In

In L.A.’s Boyle Heights neighborhood, local activists and members of the art community clash over the fate of a beloved neighborhood.

Miki Mol i Straszne Płaszczydlo

When the nefarious Ambaras tries to rid the land of Filibiblonia of litterature, Miki and his book loving friends must find a way to stop his evil schemes.