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An unmissable big-screen adventure for little ones with an hour-long cinema experience, featuring Disney’s Mickey Mouse and friends, Marvel’s Spidey and Iron Man, plus SuperKitties, Bluey and more! Whether it’s their fir
A nostalgic journey of reflection and rediscovery, where Mufeed revisits the abandoned cinema that was once full of life when he worked there forty years ago, reflecting on a lifetime spent bringing movies back to life.
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her
A kaleidoscope of scenes, events, memories, funny and sad love stories, optional meetings and misunderstood dreams — all this belongs to a filmmaker trying his best to make a film.
A musical montage of Remy "KayZen64" Gerl's 50 favorite movies.
A collection of critically acclaimed short films.
Details the early attempts, what worked, or why it didn't, in the history of adding partial or full colour to films. Includes early film clips to illustrate how most tries appeared to audiences.
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenp
Featuring a mix of film footage and special performances, this virtual concert honors the memory and music of revered Indonesian singer Glenn Fredly.
Essentially a trance-inducing flicker film, Prisoner’s Cinema opens by establishing a simple, yet aggressive, black and white flashing sequence, defined by its frenetic pace and hypnotic pattern. It assaults and entrance
A compilation film celebrating 40 years of the Cannes Film Festival. It gathers72 excerpts of black and white and color films, selected among the 1200 feature films presented at Cannes since 1947.
Senegalese documentary about the country's most famous film-maker - Ousmane Sembène. The groundbreaking director explains his philosophy, politics and hopes for the future of African cinema.
Director Peter Brook discusses his move from theater to film, his approach to adapting LORD OF THE FLIES, and the film's complicated production history.
On the Chicago filmmaker's exuberant approach to the medium. As Lori says, 'You may never find an answer, because playing is the best part.'
Measuring up well to their older American counterparts –- Scorcese, Coppola, De Palma or Friedkin –- the new Korean auteurs likewise seek to integrate the political turbulence of their land, particulaly the trauma of the
DJ Cinema is mixing up blends with artists like Biggie, Nas, Jay-Z, AZ, Rick Ross, Fabolous, 50 Cent and Jadakiss.