Je n'ai pas le temps

From Lyon to Angoulême, from Angoulême to Paris, I filmed my year 2020. One second per day.

And of late, I have nowhere to go

A wanderer meets an unusual woman on the banks of the Seine.

Silver Anniversary

A couple make the decision, after twenty-five years of marriage, to live separately, so as not to fall into the trap of routine. On their wedding anniversary, Brigitte and François Dupuis announce their decision to sepa

Je T'aime, I Love You Terminal

The film follows Ben, who is traveling from Israel to New York to marry his girlfriend but misses his connection in Prague. There he meets Emma, an attractive free spirited girl. During the next 24 hours a friendship dev

Dis à ma fille que je pars en voyage

A staging of Denise Chalem's play "Dis à ma fille que je pars en voyage" by herself.

Andre Van Duin - Je Blijft Lachen Met Andre Deel 4

When a Ball Hit Our Heads - The Portrait of Milko Djurovski

When he was nineteen Belgrade and a half of the former Yugoslavia admired him. Too much money to spend, a famous and desirable pop singer Lepa Brena. Then he left Marakane and joined the black-and-white stripes soccer cl

N'aurai-je aucun salut de toi ?

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celeb

Svět je báječné místo k narození

Andre Van Duin - Je Blijft Lachen Met Andre Deel 6

What Sladjana Milosevic Means To Me

Short music documentary.

Backlash: Misogyny in the Digital Age

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women ac

Rocks Are Funny, The Rest Not So Much

Title says it all.

La Marseillaise, je l'aime moi non plus

Jonáš II aneb Jak je důležité míti Melicharovou

Tell My Friends That I'm Dead

We are in western Georgia. Here, according to custom, the dead are not separated from the living. People involve them in their family life, talk to them and seek their advice. They protect the dead and they hope the dead

Je marcherai jusqu'à la mer

Manoel de Oliveira, the Architect Filmmaker

When Portuguese filmmaker Manoel de Oliveira died in 2015 at the age of 106, he left behind him a body of work unique in cinema: Oliveira transforms the everyday into the sublime and deals with themes such as death, lov

Merci, au revoir, je t’aime

Yesterday Is What Never Was

The story of a single mother who, in a small multi-ethnic environment, between work and motherhood, finds time for volunteer work in the Red Cross.