Kino-Pravda No. 11
Dziga Vertov-directed Soviet newsreel covering: All-Russian Congress of Trade Unions / Delegations and diplomats / Renaming of a confectionery factory / Unloading supplies / Komsomol Day / Red Army maneuvers.
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New York Kino (Part II)
Kino-Week No. 23
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 24
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 35
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
New York Kino (Part I)
Kino-Pravda No. 12
Lost Dziga Vertov-directed Soviet newsreel
Kino-Week No. 21
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 33
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 25
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 29
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Week No. 22
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Kino-Pravda No. 15
Dziga Vertov-directed Soviet newsreel covering: Against war / Against Gods / Education / Agitation / Sports and gymnastics / Danger of war.
Marie-Adélaïde at a Movie Theater
Kino-Week No. 28
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Peter Tscherkassky – Kino aus der Dunkelkammer
In this documentary, Peter Tscherkassky talks about his work, and he demonstrates in the darkroom how his movies are made.
Kino-Week No. 17
The Kinonedelja (Kino-Week) newsreels represent Dziga Vertov's first contribution to cinema.
Lichtmeß - Kino aus Leidenschaft
A documentary about the Lichtmeß arthouse cinema in Hamburg.
The Cinema and the Wind and Photography
How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy,
Short Film About Cinema Enthusiasm
Short documentary about a group of young filmmakers who started in Kino klub Novi Sad in 1951. With little money and maximum effort they succeeded to establish a professional film production in Vojvodina (part of Serbia