Bruno Morassutti, Theme and Variations
Bruno Morassutti, Theme and Variations
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Bruno Morassutti, Theme and Variations
Aside from health care and education, the housing was one of the main pillars of the Cuban revolution. In view of the continuing housing shortage, self-build groups of varying intensity, the "Microbrigadas", were set up
Silent B/W 16mm film depicting Thomas Cole's fourth stage of an empire - Destruction, before the final stage - Desolation. Macro shots of obsolete tools symbolize the end of the United States as a country of industrial m
The music is by composer Jean-Yves Bosseur. Film made from the work of Albert Ayme: 16 AND 1 VARIATIONS, made in 1963. The film is a series of variations of variations. Albert Ayme: "Each variation generates a new struc
“And surely you have seen, in the darkness of the innermost rooms of these huge buildings, to which sunlight never penetrates, how the gold leaf of a sliding door or screen will pick up a distant glimmer from the garden,
The Variations are an ongoing series of visual sketches that attempt to cue responses through the manipulation of archival images. These are works concerned with elemental cinematic qualities: light, rhythm, and movement
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymo
Documentary short about the title composer, born in what was called "Czechoslovakia" when the film was made.
The experimental film traditions of reprocessing and hand-processing, rephotography, and optical printing are all achieved through overtly digital means; the chemical and alchemical is made artificial through apparent pi
In this short animation a single room is the setting for a lyrical dance through time about family roots. The objects in the room swirl, rearrange and change themselves to reflect the passing seasons, years and generatio
4:3 Variations is composed of struts, grids and gaps. Handheld camera movements and various inversions suggest temporal and spatial cues that complicate the graphic abstraction.
Claudio Abbado explores the Prometheus myth through works by Beethoven, Liszt, Scriabin and Nono in an audiovisual concert conceived with director Christopher Swann. Martha Argerich joins the Berlin Philharmonic and asse
Bettie de Jong performs the same dance nine times, starting and ending in a reclined position. As the film proceeds the camera becomes more and more adventurous.
“I use a wood carving knife to scratch off the photographic emulsion on a looped filmstrip in this live performance. Scratched patterns, consisting of mostly horizontal lines, appear as an abstract animation on the scree
A film from the "Impressions" series, made using classic animation techniques – pastel drawings on paper. The director's debut and diploma at the State Higher School of Fine Arts in Poznań under the supervision of Prof.
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next t
Remake of Chris Marker's film "Chat écoutant la musique", set to the music "My Little Brown Book" by Duke Ellington and John Coltrane.
Prepared, shot and edited over a period of five years from 1976 to 1981, the three-part series Glenn Gould Plays Bach has so far only been seen via the limited parameters of television transmission. Now, for the first ti
Just / faintly / a corner / was / seen there / trying / to look / like an edge. .--- ..- ... - / -..-. / ..-. .- .. -. - .-.. -.-- / -..-. / .- / -.-. --- .-. -. . .-. / -..-. / .-- .- ... / -..-. / ... . . -. / - ....