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It is the story of a love affair between a musical score and a screenplay! Chief editor Bernard Sasia observes and interviews the key figures of this journey. Centered on the collaboration between composer Michel Petross
A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.
A HERITAGE FINALLY REVEALED 3 directors, around a hundred films, 17 hours of programming, numerous supplements, original music and an accompanying booklet. 7 DVD BOX Unpublished works of very different styles, which
A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.
German/French TV documentary portraying Danish film director Lars von Trier.
First collective film by the students of the inaugural class of the National Conservatory’s Film School, never completed. Starring Luís Lucas, the action takes place in a laundromat (Lavimpa self-service). Each scene is
An interview with Jean-Luc Godard around the time of his film Notre Musique.
Joe Napolitano discusses his work as first assistant director on Brian De Palma's film BODY DOUBLE.
Cult director, producer, great discoverer of talents, icon of the low budget philosophy, passed to history as the one who managed to make 100 films in Hollywood without losing a dollar. Roger Corman, an independent artis
A biodoc about the first female filmmaker and her relative disappearance from the history of cinema after directing, producing, and writing more than 700 films.
On the basis of conversations with Hänsel and some of her permanent crew members, a remarkable portrait is created of a filmmaker who is also her own producer, i.e. boss. The relationship between characters and their nat
Christine Kerf as the Greek muse Terpsichore, in 1900.
By the 1940s amateur erotic productions of beautiful naked models and strippers performing their dances abounded. Blue or stag movies were produced secretly in homes, then circulated discreetly, because it was a felony t
The sixth episode of “Dai Nostri Inviati” chronicles the Venice Film Festival during the early 21st century—from 2001 to 2012—through reports gathered by Rai correspondents: the final year of Alberto Barbera’s first tenu
In Cañete there was a large movie theater in the center of town until the 1980s. At that time many things still worked. From a child's point of view, the short film transports us to an ordinary afternoon in Cañete, when