The Mascot
On the eve of leaving the informal work sector and being hired, Samuel is haunted by his work instrument: the engineer mascot.
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Un Ballo in Maschera - Barcelona
Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and li
Máscara contra Cabellera
The Prince with the Red Mask
Duke Altichieri rises to power, after his associate, Cpt. Alberico, kills governor Conte Filippo della Scala. 10 harsh years of tyranny follow, until a mysterious figure appears out of nowhere, helping people in their st
Verdi: Un ballo in maschera
Un ballo in maschera (A Masked Ball) is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masq
Mascagni: Cavalleria Rusticana
The remains of the Roman baths at Baia form the unique backdrop to this performance of Mascagni's opera, recorded live in 2007. Zhang Jiemin conducts the Orchestra and Chorus of the Teatro di San Carlo, Naples, with perf
Fellatio Angel: Mascot in White Uniform
Damaged Masculinity
The film reviews a human rights struggle between a man and a woman by raising three thorny marriage issues that no one knows the solution for it but Allah.
Masculine Word
After an accident, ten-year-old Ilya falls into a coma. His father Andrey is on duty at his son's bedside in the hospital, but the attending physician informs that the boy will have to be disconnected from the life suppo
Un Ballo in Maschera
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.
Cafe Mascot
A young man discovers £1,000 in a taxi. The kindly man gives it to an impoverished Irish girl (Geraldine Fitzgerald) by investing it in her cafe, The Cafe Mascot.
Mascagni: Cavalleria Rusticana
Pietro Mascagni's opera recorded in 2009. Conductor Stefano Ranzani leads the orchestra and chorus of the Zurich Opera House, with performances by Argentinian tenor Jose Cura and soprano Pauletta Marrocu.
I Am a Man: Black Masculinity in America
Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women
La maschera e il volto
A husband states that a possible betrayal of his wife, he would kill her without mercy. The case is that his hypothesis turns into a presumed reality.
Villa la maschera
Boia, maschere e segreti: l’horror italiano degli anni sessanta
Machen im Jahre 2001 alles die Maschinen
In view of the rapidly advancing development of technology, the film draws attention to the fact that people will not be able to manage without knowledge and skills. A boy breaks into a computer station and, by operating
La parte più appetitosa del maschio
The Mascot
A toy stuffed dog has just been sewn together when it hears a young child ask for an orange. The child's mother explains that they have no money, and so she cannot buy any oranges. The dog is then packed up along with a
