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The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, a
A documentary which offers insights into the adaptation of the original stage play and the making of this new production of Beckett's work.
An old woman in a rocking chair listens to a disembodied voice (her own) that recounts her life and that of her mother's. When the voice stops, she calls for more.
A man attempts to evade observation by an all-seeing eye.